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Winsor and Newton Professional Watercolour
Alizarin Crimson
Alizarin Crimson, a synthetic lake pigment derived from the Madder plant, was the first natural dye to be artificially created in 1868. It features a rich, transparent red hue with a bluish undertone.
SPECIFICATIONS
- Colour Number: 4
- Pigment: PR83
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Moderately Durable
- Series: 1
- Size: 5 ml – 14 ml
Alizarin Crimson
Alizarin Crimson, a synthetic lake pigment derived from the Madder plant, was the first natural dye to be artificially created in 1868. It features a rich, transparent red hue with a bluish undertone.
SPECIFICATIONS
- Colour Number: 4
- Pigment: PR83
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Moderately Durable
- Series: 1
- Size: 5 ml – 14 ml
Antwerp Blue
Antwerp blue is a deep, transparent shade of blue. It is a gentler variant of Prussian Blue, the first synthetic blue pigment created by German
chemist Diesbach around 1704.
SPECIFICATIONS
- Colour Number: 10
- Pigment: PB27
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Antwerp Blue
Antwerp blue is a deep, transparent shade of blue. It is a gentler variant of Prussian Blue, the first synthetic blue pigment created by German
chemist Diesbach around 1704.
SPECIFICATIONS
- Colour Number: 10
- Pigment: PB27
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Aqua Green
Enhance your design with the serene, semi-transparent tones of Aqua Green. Situated precisely between green and blue, this cool colour is both subtle and striking, evoking images of deep water or a setting sky's gentle glow.
SPECIFICATIONS
- Colour Number: 697
- Pigment: Phthalo
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Aqua Green
Enhance your design with the serene, semi-transparent tones of Aqua Green. Situated precisely between green and blue, this cool colour is both subtle and striking, evoking images of deep water or a setting sky's gentle glow.
SPECIFICATIONS
- Colour Number: 697
- Pigment: Phthalo
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Aureolin Hue
Aureolin Hue is a bright yellow that provides an eco-friendlier alternative to cobalt yellow, since it is made from a modern synthetic pigment.
SPECIFICATIONS
- Colour Number: 417
- Pigment: PBr7, PY151
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Permanence: Extremely Permanent
- ACMI certifies this as an Approved Product
- Series: 2
- Size: 5 ml – 14 ml
Aureolin Hue
Aureolin Hue is a bright yellow that provides an eco-friendlier alternative to cobalt yellow, since it is made from a modern synthetic pigment.
SPECIFICATIONS
- Colour Number: 417
- Pigment: PBr7, PY151
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Permanence: Extremely Permanent
- ACMI certifies this as an Approved Product
- Series: 2
- Size: 5 ml – 14 ml
Bismuth Yellow
Bismuth Yellow is a vibrant, opaque lemon yellow known for its excellent coverage. It was first patented in 1924 by the pharmaceutical industry and has been adopted by artists since the 1980s.
SPECIFICATIONS
- Colour Number: 25
- Pigment: PY184
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 3
- Size: 5 ml – 14 ml
Bismuth Yellow
Bismuth Yellow is a vibrant, opaque lemon yellow known for its excellent coverage. It was first patented in 1924 by the pharmaceutical industry and has been adopted by artists since the 1980s.
SPECIFICATIONS
- Colour Number: 25
- Pigment: PY184
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 3
- Size: 5 ml – 14 ml
Brown Madder
Brown Madder is a deep, intense brown. Its rich hue forms layered dark combinations, ideal for autumn palettes. It serves as a substitute for Burnt Sienna.
SPECIFICATIONS
- Colour Number: 56
- Pigment: PR179
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Brown Madder
Brown Madder is a deep, intense brown. Its rich hue forms layered dark combinations, ideal for autumn palettes. It serves as a substitute for Burnt Sienna.
SPECIFICATIONS
- Colour Number: 56
- Pigment: PR179
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Brown Ochre
Brown Ochre is among the oldest pigments employed by humans and appears in numerous prehistoric cave artworks. Derived from naturally tinted clays found in the earth, it is a rich and versatile brown.
SPECIFICATIONS
- Colour Number: 59
- Pigment: PBr7
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Brown Ochre
Brown Ochre is among the oldest pigments employed by humans and appears in numerous prehistoric cave artworks. Derived from naturally tinted clays found in the earth, it is a rich and versatile brown.
SPECIFICATIONS
- Colour Number: 59
- Pigment: PBr7
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Burnt Sienna
Burnt Sienna is a rich, dark brown pigment made by burning Raw Sienna, with a transparent quality and reddish-brown undertones. Named after Siena in Italy, where it was originally collected during the Renaissance.
SPECIFICATIONS
- Colour Number: 74
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Burnt Sienna
Burnt Sienna is a rich, dark brown pigment made by burning Raw Sienna, with a transparent quality and reddish-brown undertones. Named after Siena in Italy, where it was originally collected during the Renaissance.
SPECIFICATIONS
- Colour Number: 74
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Burnt Umber
Burnt Umber is a deep, dark brown pigment derived from natural earth brown clays. Named after the Italian region of Umbria, where it is mined, its colour becomes more intense when the raw pigment is burned.
SPECIFICATIONS
- Colour Number: 76
- Pigment: PBr7, PR101, PY42
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Burnt Umber
Burnt Umber is a deep, dark brown pigment derived from natural earth brown clays. Named after the Italian region of Umbria, where it is mined, its colour becomes more intense when the raw pigment is burned.
SPECIFICATIONS
- Colour Number: 76
- Pigment: PBr7, PR101, PY42
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Cadmium-Free Lemon
Cadmium-Free Lemon features a vibrant lemon-yellow hue with green undertones, serving as an alternative to Cadmium Lemon. Please be aware that the packaging may differ from the image shown.
SPECIFICATIONS
- Colour Number: 898
- Pigment: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Lemon
Cadmium-Free Lemon features a vibrant lemon-yellow hue with green undertones, serving as an alternative to Cadmium Lemon. Please be aware that the packaging may differ from the image shown.
SPECIFICATIONS
- Colour Number: 898
- Pigment: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Lemon
Cadmium Lemon is a bright lemon yellow with green undertones. Cadmium was discovered in 1817. Its stable, opaque colours have made it a popular pigment ever since. Please note that product packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 86
- Pigment: PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 4
- Size:5 ml – 14 ml
Cadmium Lemon
Cadmium Lemon is a bright lemon yellow with green undertones. Cadmium was discovered in 1817. Its stable, opaque colours have made it a popular pigment ever since. Please note that product packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 86
- Pigment: PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 4
- Size:5 ml – 14 ml
Cadmium-Free Orange
A vibrant, deep orange hue with red undertones, serving as an alternative to Cadmium Orange. Please be aware that the actual packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 899
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Orange
A vibrant, deep orange hue with red undertones, serving as an alternative to Cadmium Orange. Please be aware that the actual packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 899
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Orange
Cadmium Orange is a vibrant, rich orange shade with deep red undertones. It is an opaque colour known for its strong tinting power and excellent
coverage. The pigments were first discovered in the 1820s as a by-product of zinc production. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 89
- Pigment: PR108, PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Orange
Cadmium Orange is a vibrant, rich orange shade with deep red undertones. It is an opaque colour known for its strong tinting power and excellent
coverage. The pigments were first discovered in the 1820s as a by-product of zinc production. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 89
- Pigment: PR108, PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Red
A blue-red hue with a rich, deep mass tone and gentle, creamy undertones, serving as an alternative to Cadmium Red. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 901
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Red
A blue-red hue with a rich, deep mass tone and gentle, creamy undertones, serving as an alternative to Cadmium Red. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 901
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Red
A deep red with a blue undertone and soft, creamy highlights. As a pure pigment, it is appreciated by artists such as Matisse for its bold, vibrant hue. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 94
- Pigment: PR108
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation/Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Red
A deep red with a blue undertone and soft, creamy highlights. As a pure pigment, it is appreciated by artists such as Matisse for its bold, vibrant hue. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 94
- Pigment: PR108
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation/Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Red Deep
A deep, velvety red with subtle blue undertones, serving as an alternative to Cadmium Red Deep. Please be aware that the product packaging might differ from the image.
SPECIFICATIONS
- Colour Number: 895
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Red Deep
A deep, velvety red with subtle blue undertones, serving as an alternative to Cadmium Red Deep. Please be aware that the product packaging might differ from the image.
SPECIFICATIONS
- Colour Number: 895
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Red Deep
A deep, velvety red with subtle blue undertones. This opaque single pigment can be applied in thick layers or diluted to achieve a softer look. Cadmium, arising as a by-product of the zinc industry, was discovered in 1817.
SPECIFICATIONS
- Colour Number: 97
- Pigment: PR108
- Lightfastness: Excellent
- Opacity: Opaque
- Series: 4
- Granulation/staining: Granulation
- Permanence: Permanent
- Size: 5 ml – 14 ml
Cadmium Red Deep
A deep, velvety red with subtle blue undertones. This opaque single pigment can be applied in thick layers or diluted to achieve a softer look. Cadmium, arising as a by-product of the zinc industry, was discovered in 1817.
SPECIFICATIONS
- Colour Number: 97
- Pigment: PR108
- Lightfastness: Excellent
- Opacity: Opaque
- Series: 4
- Granulation/staining: Granulation
- Permanence: Permanent
- Size: 5 ml – 14 ml
Cadmium-Free Scarlet
A bright, yellowish-red shade with a vibrant, glowing mass tone, serving as an alternative to Cadmium Scarlet.
SPECIFICATIONS
- Colour Number: 903
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size:5 ml – 14 ml
Cadmium-Free Scarlet
A bright, yellowish-red shade with a vibrant, glowing mass tone, serving as an alternative to Cadmium Scarlet.
SPECIFICATIONS
- Colour Number: 903
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size:5 ml – 14 ml
Cadmium Scarlet
A bright, yellowish-red hue with a lively, glowing appearance. It is an opaque pigment offering excellent coverage. Cadmium, a by-product of the zinc industry, was discovered in 1817. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 106
- Pigment: PR108
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Scarlet
A bright, yellowish-red hue with a lively, glowing appearance. It is an opaque pigment offering excellent coverage. Cadmium, a by-product of the zinc industry, was discovered in 1817. Please note that packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 106
- Pigment: PR108
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Yellow
A vibrant, rich yellow with a warm red undertone, serving as an alternative to Cadmium Yellow.
SPECIFICATIONS
- Colour Number: 890
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Yellow
A vibrant, rich yellow with a warm red undertone, serving as an alternative to Cadmium Yellow.
SPECIFICATIONS
- Colour Number: 890
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Yellow
A strong and deep yellow with a warm red mass tone. Please note that product packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 108
- Pigment: PO20, PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14ml
Cadmium Yellow
A strong and deep yellow with a warm red mass tone. Please note that product packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 108
- Pigment: PO20, PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14ml
Cadmium-Free Yellow Deep
A bright, sunny yellow with a deep red hue and warm, creamy undertone, offered as an alternative to Cadmium Yellow Deep. Please note that the packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 891
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14ml
Cadmium-Free Yellow Deep
A bright, sunny yellow with a deep red hue and warm, creamy undertone, offered as an alternative to Cadmium Yellow Deep. Please note that the packaging may vary from the image.
SPECIFICATIONS
- Colour Number: 891
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14ml
Cadmium Yellow Deep
A deep and sunny yellow with a strong red mass tone and warm, creamy undertone. This is a genuine cadmium colour renowned for its excellent tinting qualities. Discovered in 1817, cadmium is a by-product of the zinc industry.
SPECIFICATIONS
- Colour Number: 111
- Pigment: PR108, PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Yellow Deep
A deep and sunny yellow with a strong red mass tone and warm, creamy undertone. This is a genuine cadmium colour renowned for its excellent tinting qualities. Discovered in 1817, cadmium is a by-product of the zinc industry.
SPECIFICATIONS
- Colour Number: 111
- Pigment: PR108, PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Yellow Pale
A vivid, creamy yellow with a rich, bright hue, offering an alternative to Cadmium Yellow Pale. Please note that the packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 907
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium-Free Yellow Pale
A vivid, creamy yellow with a rich, bright hue, offering an alternative to Cadmium Yellow Pale. Please note that the packaging may differ from the image.
SPECIFICATIONS
- Colour Number: 907
- Pigments: N/A
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Yellow Pale
A vivid, creamy yellow with a rich, bright hue.
SPECIFICATIONS
- Colour Number: 118
- Pigment: PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cadmium Yellow Pale
A vivid, creamy yellow with a rich, bright hue.
SPECIFICATIONS
- Colour Number: 118
- Pigment: PY35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Caput Mortuum Violet
Caput Mortuum Violet is a muted mauve-brown hue. It is an opaque pigment. The Romans named it Caput Mortuum, meaning 'head of the dead,' in
reference to its colour, which resembled dried blood.
SPECIFICATIONS
- Colour Number: 125
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation/Staining
- Permanence: Extremely Permanent
- Series: 2
- Size: 5 ml – 14 ml
Caput Mortuum Violet
Caput Mortuum Violet is a muted mauve-brown hue. It is an opaque pigment. The Romans named it Caput Mortuum, meaning 'head of the dead,' in
reference to its colour, which resembled dried blood.
SPECIFICATIONS
- Colour Number: 125
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation/Staining
- Permanence: Extremely Permanent
- Series: 2
- Size: 5 ml – 14 ml
Cerulean Blue (Red Shade)
Cerulean Blue (Red Shade) is a vibrant blue pigment featuring red undertones, unlike Cerulean Blue, which has green undertones. It is an opaque, granulating watercolour.
SPECIFICATIONS
- Colour Number: 140
- Pigment: PB35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Cerulean Blue (Red Shade)
Cerulean Blue (Red Shade) is a vibrant blue pigment featuring red undertones, unlike Cerulean Blue, which has green undertones. It is an opaque, granulating watercolour.
SPECIFICATIONS
- Colour Number: 140
- Pigment: PB35
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Cerulean Blue
Cerulean Blue was created in 1805 and became available in England in the 1860s. The name comes from the Latin Caeruleum, meaning sky-blue pigment. It is a vivid blue with greenish undertones.
SPECIFICATIONS
- Colour Number: 137
- Pigment: PB35
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Cerulean Blue
Cerulean Blue was created in 1805 and became available in England in the 1860s. The name comes from the Latin Caeruleum, meaning sky-blue pigment. It is a vivid blue with greenish undertones.
SPECIFICATIONS
- Colour Number: 137
- Pigment: PB35
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Chinese White
Chinese White is an opaque white colour made with zinc. Winsor & Newton first introduced it to England in 1834. The name comes from the popular Chinese porcelain imported during that period.
SPECIFICATIONS
- Colour Number: 150
- Pigment: PW4
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Chinese White
Chinese White is an opaque white colour made with zinc. Winsor & Newton first introduced it to England in 1834. The name comes from the popular Chinese porcelain imported during that period.
SPECIFICATIONS
- Colour Number: 150
- Pigment: PW4
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Cinnabar Green
A vibrant yellow-green hue that provides opportunities for tinting and toning when combined with other primary and secondary colours.
SPECIFICATIONS
- Colour Number: 420
- Pigment: PG36, PY138
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Extremely Permanent
- Series: 2
- SizeL 5 ml – 14 ml
Cinnabar Green
A vibrant yellow-green hue that provides opportunities for tinting and toning when combined with other primary and secondary colours.
SPECIFICATIONS
- Colour Number: 420
- Pigment: PG36, PY138
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Extremely Permanent
- Series: 2
- SizeL 5 ml – 14 ml
Cobalt Blue
Cobalt Blue is a clear blue pigment discovered in 1802 by French chemist Louis Thénard. It was created as a more affordable alternative to the costly Lapis Lazuli blue pigment.
SPECIFICATIONS
- Colour Number: 178
- Pigment: PB28
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Blue
Cobalt Blue is a clear blue pigment discovered in 1802 by French chemist Louis Thénard. It was created as a more affordable alternative to the costly Lapis Lazuli blue pigment.
SPECIFICATIONS
- Colour Number: 178
- Pigment: PB28
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Blue Deep
Cobalt Deep Blue is a darker red variant of its sister pigment, Cobalt Blue. Discovered in 1802 by French chemist Louis Thénard, it served as an
affordable alternative to the costly lapis lazuli pigment.
SPECIFICATIONS
- Colour Number: 180
- Pigment: PB74
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Blue Deep
Cobalt Deep Blue is a darker red variant of its sister pigment, Cobalt Blue. Discovered in 1802 by French chemist Louis Thénard, it served as an
affordable alternative to the costly lapis lazuli pigment.
SPECIFICATIONS
- Colour Number: 180
- Pigment: PB74
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Green
Cobalt Green is a semi-transparent, vivid green hue with a pronounced blue undertone. Swedish chemist Sven Rinman first identified it in 1780 by combining cobalt and zinc.
SPECIFICATIONS
- Colour Number: 184
- Pigment: PG50
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Green
Cobalt Green is a semi-transparent, vivid green hue with a pronounced blue undertone. Swedish chemist Sven Rinman first identified it in 1780 by combining cobalt and zinc.
SPECIFICATIONS
- Colour Number: 184
- Pigment: PG50
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Green Deep
With a deep blue undertone, Cobalt Green Deep offers a rich hue that adds a variety of stunning opaque tones to your palette. The blend of these two shades creates a lush, rich colour that evokes striking visuals reminiscent of overcast skies and forest floors.
SPECIFICATIONS
- Colour Number: 185
- Pigment: PG26
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Cobalt Green Deep
With a deep blue undertone, Cobalt Green Deep offers a rich hue that adds a variety of stunning opaque tones to your palette. The blend of these two shades creates a lush, rich colour that evokes striking visuals reminiscent of overcast skies and forest floors.
SPECIFICATIONS
- Colour Number: 185
- Pigment: PG26
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Cobalt Turquoise
Cobalt Turquoise is a mixture of blue and green pigments. Its name comes from the French word 'Turquoise,' referring to the semi-precious stone exported to Europe from Persia via Turkey.
SPECIFICATIONS
- Colour Number: 190
- Pigment: PB28, PB36
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Turquoise
Cobalt Turquoise is a mixture of blue and green pigments. Its name comes from the French word 'Turquoise,' referring to the semi-precious stone exported to Europe from Persia via Turkey.
SPECIFICATIONS
- Colour Number: 190
- Pigment: PB28, PB36
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Turquoise Light
Cobalt Turquoise Light is a lighter, slightly greener version of Cobalt Turquoise. It is a gentle, opaque colour created by a careful mix of blue and green pigments.
SPECIFICATIONS
- Colour Number: 191
- Pigment: PG50
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Turquoise Light
Cobalt Turquoise Light is a lighter, slightly greener version of Cobalt Turquoise. It is a gentle, opaque colour created by a careful mix of blue and green pigments.
SPECIFICATIONS
- Colour Number: 191
- Pigment: PG50
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Violet
Cobalt Violet is a gentle, semi-transparent purple pigment. Introduced in the 1860s as a new synthetic pigment, it was favoured by renowned artists such as Monet and Seurat.
SPECIFICATIONS
- Colour Number: 192
- Pigment: PV14
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Cobalt Violet
Cobalt Violet is a gentle, semi-transparent purple pigment. Introduced in the 1860s as a new synthetic pigment, it was favoured by renowned artists such as Monet and Seurat.
SPECIFICATIONS
- Colour Number: 192
- Pigment: PV14
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 4
- Size: 5 ml – 14 ml
Davy's Gray
Davy's Gray is a soft grey hue traditionally made with powdered slate pigments. It was created by Winsor & Newton for 19th-century English artists
Henry Davy, who studied under the renowned watercolourist J. S. Cotman.
SPECIFICATIONS
- Colour Number: 217
- Pigment: PBk19, PBk6, PG17, PW5
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Davy's Gray
Davy's Gray is a soft grey hue traditionally made with powdered slate pigments. It was created by Winsor & Newton for 19th-century English artists
Henry Davy, who studied under the renowned watercolourist J. S. Cotman.
SPECIFICATIONS
- Colour Number: 217
- Pigment: PBk19, PBk6, PG17, PW5
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
French Ultramarine
French Ultramarine is a vibrant, transparent blue created by the French chemist Guimet in 1828 as a synthetic, chemically identical substitute for the
costly pigment made from Lapis Lazuli.
SPECIFICATIONS
- Colour Number: 263
- Pigment: PB29
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
French Ultramarine
French Ultramarine is a vibrant, transparent blue created by the French chemist Guimet in 1828 as a synthetic, chemically identical substitute for the
costly pigment made from Lapis Lazuli.
SPECIFICATIONS
- Colour Number: 263
- Pigment: PB29
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Field's Orange
A single pigment of red-orange, inspired by George Field's specially levigated vermilion, for a vibrant and intense colour.
SPECIFICATIONS
- Colour Number: 418
- Pigment: PO67
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Field's Orange
A single pigment of red-orange, inspired by George Field's specially levigated vermilion, for a vibrant and intense colour.
SPECIFICATIONS
- Colour Number: 418
- Pigment: PO67
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Gold Ochre
Gold Ochre is a natural earth pigment used since prehistoric times, characterized by a warm, brownish-yellow colour. Synthetic variants have been accessible since the 1920s.
SPECIFICATIONS
- Colour Number: 285
- Pigment: PY42
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 2
- Size: 5 ml – 14 ml
Gold Ochre
Gold Ochre is a natural earth pigment used since prehistoric times, characterized by a warm, brownish-yellow colour. Synthetic variants have been accessible since the 1920s.
SPECIFICATIONS
- Colour Number: 285
- Pigment: PY42
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 2
- Size: 5 ml – 14 ml
Green Gold
Green Gold is a transparent watercolour with a rich gold-yellow hue and subtle green undertones.
SPECIFICATIONS
- Colour Number: 294
- Pigment: PY129
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Green Gold
Green Gold is a transparent watercolour with a rich gold-yellow hue and subtle green undertones.
SPECIFICATIONS
- Colour Number: 294
- Pigment: PY129
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Hooker's Green
Hooker's Green is a deep green hue with a yellowish tint. As a blended pigment, it was first created by the 19th-century English botanist and
illustrator William J. Hooker.
SPECIFICATIONS
- Colour Number: 311
- Pigment: PG36, PY110
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- SizeL 5 ml – 14 ml
Hooker's Green
Hooker's Green is a deep green hue with a yellowish tint. As a blended pigment, it was first created by the 19th-century English botanist and
illustrator William J. Hooker.
SPECIFICATIONS
- Colour Number: 311
- Pigment: PG36, PY110
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- SizeL 5 ml – 14 ml
Indanthrene Blue
Indanthrene Blue is a pure, deep blue pigment. It is fully lightfast and transparent. As a modern organic pigment, it was first added to the Winsor
& Newton range in 1991.
SPECIFICATIONS
- Colour Number: 321
- Pigment: PB60
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Indanthrene Blue
Indanthrene Blue is a pure, deep blue pigment. It is fully lightfast and transparent. As a modern organic pigment, it was first added to the Winsor
& Newton range in 1991.
SPECIFICATIONS
- Colour Number: 321
- Pigment: PB60
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Indian Red
Indian Red is an opaque red hue with blue undertones. Historically derived from natural red iron oxides found in the earth, it is one of the oldest pigments and is prized for its durability.
SPECIFICATIONS
- Colour Number: 317
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Indian Red
Indian Red is an opaque red hue with blue undertones. Historically derived from natural red iron oxides found in the earth, it is one of the oldest pigments and is prized for its durability.
SPECIFICATIONS
- Colour Number: 317
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Indian Yellow
Indian Yellow is a bright yellow pigment that was historically used by artists such as Turner. It was originally made in India from cow urine of cows
fed only on mango leaves. Winsor & Newton later developed a close alternative to this original colour.
SPECIFICATIONS
- Colour Number: 319
- Pigment: PO62, PY139
- Lightfastness: Very Good
- Opacity: Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Indian Yellow
Indian Yellow is a bright yellow pigment that was historically used by artists such as Turner. It was originally made in India from cow urine of cows
fed only on mango leaves. Winsor & Newton later developed a close alternative to this original colour.
SPECIFICATIONS
- Colour Number: 319
- Pigment: PO62, PY139
- Lightfastness: Very Good
- Opacity: Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Indigo
Indigo is a deep blue pigment that varies from almost black to light blue. It was originally derived from plants similar to blue woad, used by the ancient Britons, and was first synthesized in Germany in 1878. As one of the oldest blue pigments used worldwide, it has a long history.
SPECIFICATIONS
- Colour Number: 322
- Pigment: PB15, PBk6, PV19
- Lightfastness: Very Good
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Indigo
Indigo is a deep blue pigment that varies from almost black to light blue. It was originally derived from plants similar to blue woad, used by the ancient Britons, and was first synthesized in Germany in 1878. As one of the oldest blue pigments used worldwide, it has a long history.
SPECIFICATIONS
- Colour Number: 322
- Pigment: PB15, PBk6, PV19
- Lightfastness: Very Good
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Ivory Black
Ivory black is a versatile, durable black hue with brown undertones and strong tinting ability. Its name originates from the traditional process of
obtaining it: roasting elephant tusks.
SPECIFICATIONS
- Colour Number: 331
- Pigment: PBk9
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Ivory Black
Ivory black is a versatile, durable black hue with brown undertones and strong tinting ability. Its name originates from the traditional process of
obtaining it: roasting elephant tusks.
SPECIFICATIONS
- Colour Number: 331
- Pigment: PBk9
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Lamp Black
Lamp Black is among the oldest pigments, composed of pure carbon derived from the residual soot of burnt oil lamps. It features a bluish-black hue, creating a range of cool blue-grey tones.
SPECIFICATIONS
- Colour Number: 337
- Pigment: PBk6/7
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Lamp Black
Lamp Black is among the oldest pigments, composed of pure carbon derived from the residual soot of burnt oil lamps. It features a bluish-black hue, creating a range of cool blue-grey tones.
SPECIFICATIONS
- Colour Number: 337
- Pigment: PBk6/7
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Lemon Yellow Deep
Lemon Yellow Deep is a rich, warm, opaque yellow watercolour that features a granulating texture.
SPECIFICATIONS
- Colour Number: 348
- Pigment: PY159
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- ACMI certifies this as an Approved Product
- Series: 2
- Size: 5 ml – 14 ml
Lemon Yellow Deep
Lemon Yellow Deep is a rich, warm, opaque yellow watercolour that features a granulating texture.
SPECIFICATIONS
- Colour Number: 348
- Pigment: PY159
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- ACMI certifies this as an Approved Product
- Series: 2
- Size: 5 ml – 14 ml
Lemon Yellow Hue
Lemon Yellow (Nickel Titanate) is a vivid, bright, and transparent yellow shade.
SPECIFICATIONS
- Colour Number: 347
- Pigment: PY53
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- ACMI certifies this as an Approved Product
- Series: 4
- Size: 5 ml – 14 ml
Lemon Yellow Hue
Lemon Yellow (Nickel Titanate) is a vivid, bright, and transparent yellow shade.
SPECIFICATIONS
- Colour Number: 347
- Pigment: PY53
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- ACMI certifies this as an Approved Product
- Series: 4
- Size: 5 ml – 14 ml
Light Red
Light Red is a permanent, opaque earth pigment made from natural and synthetic iron oxide, featuring a brown undertone.
SPECIFICATIONS
- Colour Number: 362
- Pigment: PR102
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Light Red
Light Red is a permanent, opaque earth pigment made from natural and synthetic iron oxide, featuring a brown undertone.
SPECIFICATIONS
- Colour Number: 362
- Pigment: PR102
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Magnesium Brown
Magnesium Brown is a pigment with an orange-brown hue. It is opaque and highly lightfast when used in watercolour.
SPECIFICATIONS
- Colour Number: 381
- Pigment: PY119
- Lightfastness: N/A
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Magnesium Brown
Magnesium Brown is a pigment with an orange-brown hue. It is opaque and highly lightfast when used in watercolour.
SPECIFICATIONS
- Colour Number: 381
- Pigment: PY119
- Lightfastness: N/A
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Manganese Blue Hue
Manganese Blue Hue is a distinct greenish azure-blue, derived from the now-obsolete Manganese Blue, made from Barium Manganate.
SPECIFICATIONS
- Colour Number: 379
- Pigment: PB15
- Lightfastness: Very Good
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Manganese Blue Hue
Manganese Blue Hue is a distinct greenish azure-blue, derived from the now-obsolete Manganese Blue, made from Barium Manganate.
SPECIFICATIONS
- Colour Number: 379
- Pigment: PB15
- Lightfastness: Very Good
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Mars Black
Mars Black is a dense, opaque pigment with a brownish undertone, made from mineral iron oxide. Its name derives from the alchemical term for iron, Mars.
SPECIFICATIONS
- Colour Number: 386
- Pigment: PBk11
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Mars Black
Mars Black is a dense, opaque pigment with a brownish undertone, made from mineral iron oxide. Its name derives from the alchemical term for iron, Mars.
SPECIFICATIONS
- Colour Number: 386
- Pigment: PBk11
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Mineral Grey
A semi-transparent grey with a greenish hue that provides ready options for softer shades and granular textures.
SPECIFICATIONS
- Colour Number: 427
- Pigment: PB29, PBk19, PW5
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Mineral Grey
A semi-transparent grey with a greenish hue that provides ready options for softer shades and granular textures.
SPECIFICATIONS
- Colour Number: 427
- Pigment: PB29, PBk19, PW5
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Naples Yellow
Naples Yellow is an opaque pinkish-yellow pigment that originated as a lead antimonite. It appears in 5th-century BC Babylonian tiles and derives its name from natural deposits in Mount Vesuvius, Naples. Used by the Old Masters, it has been produced artificially since the 15th century.
SPECIFICATIONS
- Colour Number: 422
- Pigment: PBr24, PW6
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Naples Yellow
Naples Yellow is an opaque pinkish-yellow pigment that originated as a lead antimonite. It appears in 5th-century BC Babylonian tiles and derives its name from natural deposits in Mount Vesuvius, Naples. Used by the Old Masters, it has been produced artificially since the 15th century.
SPECIFICATIONS
- Colour Number: 422
- Pigment: PBr24, PW6
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Naples Yellow Deep
Naples Yellow Deep is a warm, opaque yellow pigment named after natural deposits found in Mount Vesuvius, Naples. It has been produced artificially since the 15th century and has been a staple of the Old Masters' palette.
SPECIFICATIONS
- Colour Number: 425
- Pigment: PBr24
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Naples Yellow Deep
Naples Yellow Deep is a warm, opaque yellow pigment named after natural deposits found in Mount Vesuvius, Naples. It has been produced artificially since the 15th century and has been a staple of the Old Masters' palette.
SPECIFICATIONS
- Colour Number: 425
- Pigment: PBr24
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Neutral Tint
Neutral Tint is a grey-black pigment. It is an opaque watercolour with staining qualities.
SPECIFICATIONS
- Colour Number: 430
- Pigment: PB15, PBk6, PV19
- Lightfastness: Very Good
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Neutral Tint
Neutral Tint is a grey-black pigment. It is an opaque watercolour with staining qualities.
SPECIFICATIONS
- Colour Number: 430
- Pigment: PB15, PBk6, PV19
- Lightfastness: Very Good
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
New Gamboge
New Gamboge is a recently reformulated warm yellow pigment that closely resembles the authentic, toxic Gamboge. Originally extracted from tree resin, genuine Gamboge was brought to Europe in 1603 and was believed to have medicinal healing properties.
SPECIFICATIONS
- Colour Number: 267
- Pigment: PR209, PY150
- Lightfastness: Very Good
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
New Gamboge
New Gamboge is a recently reformulated warm yellow pigment that closely resembles the authentic, toxic Gamboge. Originally extracted from tree resin, genuine Gamboge was brought to Europe in 1603 and was believed to have medicinal healing properties.
SPECIFICATIONS
- Colour Number: 267
- Pigment: PR209, PY150
- Lightfastness: Very Good
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Olive Green
Olive green is a gentle, brown-tinged green hue named after the subtle shades of natural green olives.
SPECIFICATIONS
- Colour Number: 447
- Pigment: PB15:6, PR101, PY65
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Olive Green
Olive green is a gentle, brown-tinged green hue named after the subtle shades of natural green olives.
SPECIFICATIONS
- Colour Number: 447
- Pigment: PB15:6, PR101, PY65
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Opera Rose
Opera Rose is a bright, vivid shade of magenta.
SPECIFICATIONS
- Colour Number: 448
- Pigment: PR122
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Permanence: Moderately Durable
- Series: 2
- Size: 5 ml – 14 ml
Opera Rose
Opera Rose is a bright, vivid shade of magenta.
SPECIFICATIONS
- Colour Number: 448
- Pigment: PR122
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Permanence: Moderately Durable
- Series: 2
- Size: 5 ml – 14 ml
Ostwald Grey
Opaque warm grey is ideal for toning, offering a gentle, granulating texture that blends seamlessly with other colours.
SPECIFICATIONS
- Colour Number: 428
- Pigment: PBk6, PW5, PY42
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Ostwald Grey
Opaque warm grey is ideal for toning, offering a gentle, granulating texture that blends seamlessly with other colours.
SPECIFICATIONS
- Colour Number: 428
- Pigment: PBk6, PW5, PY42
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Oxide of Chromium
Chromium oxide is an opaque willow green pigment. Although it was discovered in 1809, it wasn't available to artists until 1862. Today, it is frequently used in camouflage clothing.
SPECIFICATIONS
- Colour Number: 459
- Pigment: PG17
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation/Staining
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Oxide of Chromium
Chromium oxide is an opaque willow green pigment. Although it was discovered in 1809, it wasn't available to artists until 1862. Today, it is frequently used in camouflage clothing.
SPECIFICATIONS
- Colour Number: 459
- Pigment: PG17
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Granulation/Staining
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Payne's Gray
Payne's Gray is a dark blue-gray pigment historically created by combining Ultramarine, Lamp Black, and sometimes Crimson. It was named after the 18th-century watercolorist William Payne, who developed the mixture and
frequently suggested it to his students as an alternative to plain black.
SPECIFICATIONS
- Colour Number: 465
- Pigment: PB15, PBk6, PV19
- Lightfastness: Very Good
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Payne's Gray
Payne's Gray is a dark blue-gray pigment historically created by combining Ultramarine, Lamp Black, and sometimes Crimson. It was named after the 18th-century watercolorist William Payne, who developed the mixture and
frequently suggested it to his students as an alternative to plain black.
SPECIFICATIONS
- Colour Number: 465
- Pigment: PB15, PBk6, PV19
- Lightfastness: Very Good
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Permanent Alizarin Crimson
Permanent Alizarin Crimson is a vivid red colour that is highly transparent and has a blue undertone. It was introduced in 1994 as a very
permanent red pigment. Please note: PR179 will soon replace Pigment PR206.
SPECIFICATIONS
- Colour Number: 466
- Pigment: PR179
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Alizarin Crimson
Permanent Alizarin Crimson is a vivid red colour that is highly transparent and has a blue undertone. It was introduced in 1994 as a very
permanent red pigment. Please note: PR179 will soon replace Pigment PR206.
SPECIFICATIONS
- Colour Number: 466
- Pigment: PR179
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Carmine
Permanent Carmine is a pigment with a mid-crimson hue. It is highly transparent, durable, and serves as a more affordable alternative to genuine Carmine. Historically, Carmine was produced from crushed kermes insects.
SPECIFICATIONS
- Colour Number: 479
- Pigment: PV19
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Carmine
Permanent Carmine is a pigment with a mid-crimson hue. It is highly transparent, durable, and serves as a more affordable alternative to genuine Carmine. Historically, Carmine was produced from crushed kermes insects.
SPECIFICATIONS
- Colour Number: 479
- Pigment: PV19
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Magenta
Permanent Magenta is less purple than Quinacridone Magenta and has a slight bluish undertone. It is derived from a Quinacridone pigment introduced in the 1950s, known for its intense staining and high tinting strength. When mixed with Ultramarine Blue, it produces deep, vibrant violets.
SPECIFICATIONS
- Colour Number: 489
- Pigment: PV19
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Magenta
Permanent Magenta is less purple than Quinacridone Magenta and has a slight bluish undertone. It is derived from a Quinacridone pigment introduced in the 1950s, known for its intense staining and high tinting strength. When mixed with Ultramarine Blue, it produces deep, vibrant violets.
SPECIFICATIONS
- Colour Number: 489
- Pigment: PV19
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Mauve
Permanent Mauve is a deep violet hue. It is semi-transparent and fade-resistant. Mauve, initially a lake pigment, was found in England in 1856 by Sir William Perkin.
SPECIFICATIONS
- Colour Number: 491
- Pigment: PV16
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Mauve
Permanent Mauve is a deep violet hue. It is semi-transparent and fade-resistant. Mauve, initially a lake pigment, was found in England in 1856 by Sir William Perkin.
SPECIFICATIONS
- Colour Number: 491
- Pigment: PV16
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Rose
Permanent Rose is a vibrant rose violet hue. It is a transparent quinacridone pigment that was added to the Winsor & Newton range in the 1950s.
SPECIFICATIONS
- Colour Number: 502
- Pigment: PV19
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Rose
Permanent Rose is a vibrant rose violet hue. It is a transparent quinacridone pigment that was added to the Winsor & Newton range in the 1950s.
SPECIFICATIONS
- Colour Number: 502
- Pigment: PV19
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Permanent Sap Green
Sap Green Permanent is a deep, rich mid-range green with a yellow undertone. Historically, Sap Green was created from a lake pigment derived from unripe Buckthorn berries.
SPECIFICATIONS
- Colour Number: 503
- Pigment: PG36, PY110
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Permanent Sap Green
Sap Green Permanent is a deep, rich mid-range green with a yellow undertone. Historically, Sap Green was created from a lake pigment derived from unripe Buckthorn berries.
SPECIFICATIONS
- Colour Number: 503
- Pigment: PG36, PY110
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Perylene Green
Perylene Green is a deep, transparent green pigment that appears nearly black when undiluted. It is a contemporary synthetic organic pigment first introduced in the late 1950s.
SPECIFICATIONS
- Colour Number: 460
- Pigment: PBk31
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Perylene Green
Perylene Green is a deep, transparent green pigment that appears nearly black when undiluted. It is a contemporary synthetic organic pigment first introduced in the late 1950s.
SPECIFICATIONS
- Colour Number: 460
- Pigment: PBk31
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Perylene Maroon
Perylene Maroon is a dark maroon pigment. Perylene is a modern synthetic organic pigment that was first available as a dye around 1912, before becoming an artist pigment in the late 1950s.
SPECIFICATIONS
- Colour Number: 507
- Pigment: PR179
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Perylene Maroon
Perylene Maroon is a dark maroon pigment. Perylene is a modern synthetic organic pigment that was first available as a dye around 1912, before becoming an artist pigment in the late 1950s.
SPECIFICATIONS
- Colour Number: 507
- Pigment: PR179
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Perylene Violet
Perylene Violet is a single pigment colour created with PV29. Its masstone appears as a very dark, intense maroon, while in tints it leans toward
a dull red violet. The paint makes an intriguing shadow accent for portraits and figures, but when applied lightly, it dries to a purplish brown hue.
SPECIFICATIONS
- Colour Number: 470
- Pigment: PV29
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Perylene Violet
Perylene Violet is a single pigment colour created with PV29. Its masstone appears as a very dark, intense maroon, while in tints it leans toward
a dull red violet. The paint makes an intriguing shadow accent for portraits and figures, but when applied lightly, it dries to a purplish brown hue.
SPECIFICATIONS
- Colour Number: 470
- Pigment: PV29
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Phthalo Turquoise
Phthalo Turquoise is a vivid blue-green pigment with a red undertone, derived from the modern Phthalocyanine pigment introduced in the 1930s. It is transparent.
SPECIFICATIONS
- Colour Number: 526
- Pigment: PB16
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Phthalo Turquoise
Phthalo Turquoise is a vivid blue-green pigment with a red undertone, derived from the modern Phthalocyanine pigment introduced in the 1930s. It is transparent.
SPECIFICATIONS
- Colour Number: 526
- Pigment: PB16
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Potter's Pink
Potter's Pink is a gentle rose hue. It is a semi-opaque shade with excellent lightfastness. This colour is frequently used in ceramics and frescoes, which is how it earned its name.
SPECIFICATIONS
- Colour Number: 537
- Pigment: PR233
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 2
- Size: 5 ml – 14 ml
Potter's Pink
Potter's Pink is a gentle rose hue. It is a semi-opaque shade with excellent lightfastness. This colour is frequently used in ceramics and frescoes, which is how it earned its name.
SPECIFICATIONS
- Colour Number: 537
- Pigment: PR233
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 2
- Size: 5 ml – 14 ml
Prussian Blue
Prussian Blue is a rich, deep blue hue. It was created by the German chemist Diesbach around 1704, making it the first synthetic blue pigment. It soon became popular as a substitute for genuine Ultramarine.
SPECIFICATIONS
- Colour Number: 538
- Pigment: PB27
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Prussian Blue
Prussian Blue is a rich, deep blue hue. It was created by the German chemist Diesbach around 1704, making it the first synthetic blue pigment. It soon became popular as a substitute for genuine Ultramarine.
SPECIFICATIONS
- Colour Number: 538
- Pigment: PB27
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Quinacridone Magenta
Quinacridone Magenta is a vibrant, deep violet-red hue derived from the Quinacridone pigment. The name Magenta originates from a lake colour named in 1859, after the Battle of Magenta in Italy.
SPECIFICATIONS
- Colour Number: 545
- Pigment: PR122
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Quinacridone Magenta
Quinacridone Magenta is a vibrant, deep violet-red hue derived from the Quinacridone pigment. The name Magenta originates from a lake colour named in 1859, after the Battle of Magenta in Italy.
SPECIFICATIONS
- Colour Number: 545
- Pigment: PR122
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Quinacridone Red
Quinacridone Red is a bright, mid-tone red that appears quite vivid. It is a transparent pigment first introduced by Winsor & Newton in the 1950s.
SPECIFICATIONS
- Colour Number: 548
- Pigment: PR209
- Lightfastness: Very Good
- Opacity: Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 mm – 14 ml
Quinacridone Red
Quinacridone Red is a bright, mid-tone red that appears quite vivid. It is a transparent pigment first introduced by Winsor & Newton in the 1950s.
SPECIFICATIONS
- Colour Number: 548
- Pigment: PR209
- Lightfastness: Very Good
- Opacity: Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 mm – 14 ml
Quinacridone Violet
This vibrant violet hue, tinged with pink, adds a bold element to your palette, perfect for depicting the transition from day to night and the
changing shades of sunset sky light. Its semi transparency provides a fresh, bold twist on classic purple, using the transparent Quinacridone pigment first introduced in the 1950s.
SPECIFICATIONS
- Colour Number: 550
- Pigment: PV55
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Quinacridone Violet
This vibrant violet hue, tinged with pink, adds a bold element to your palette, perfect for depicting the transition from day to night and the
changing shades of sunset sky light. Its semi transparency provides a fresh, bold twist on classic purple, using the transparent Quinacridone pigment first introduced in the 1950s.
SPECIFICATIONS
- Colour Number: 550
- Pigment: PV55
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Raw Sienna
Raw Sienna is a vibrant brown pigment, among the oldest known, dating back to prehistoric cave art. It is named after Siena, Italy, where it was sourced during the Renaissance period.
SPECIFICATIONS
- Colour Number: 552
- Pigment: PR101, PY42
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Raw Sienna
Raw Sienna is a vibrant brown pigment, among the oldest known, dating back to prehistoric cave art. It is named after Siena, Italy, where it was sourced during the Renaissance period.
SPECIFICATIONS
- Colour Number: 552
- Pigment: PR101, PY42
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Raw Umber
Raw Umber is a deep brown pigment derived from natural brown clays found in the earth. The name originates in Umbria, Italy, where it was originally mined.
SPECIFICATIONS
- Colour Number: 554
- Pigment: PBr7
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Raw Umber
Raw Umber is a deep brown pigment derived from natural brown clays found in the earth. The name originates in Umbria, Italy, where it was originally mined.
SPECIFICATIONS
- Colour Number: 554
- Pigment: PBr7
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 mlRaw Umber
Raw Umber is a deep brown pigment derived from natural brown clays found in the earth. The name originates in Umbria, Italy, where it was originally mined.
SPECIFICATIONS
- Colour Number: 554
- Pigment: PBr7
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Rose Dore
Rose Doré is a delicate light rose hue featuring a subtle yellow undertone. It is a transparent watercolour that leaves a staining effect.
SPECIFICATIONS
- Colour Number: 576
- Pigment: PV19, PY97
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Rose Dore
Rose Doré is a delicate light rose hue featuring a subtle yellow undertone. It is a transparent watercolour that leaves a staining effect.
SPECIFICATIONS
- Colour Number: 576
- Pigment: PV19, PY97
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 4
- Size: 5 ml – 14 ml
Rose Madder Genuine
Rose Madder Genuine is a unique rose pigment produced exclusively by Winsor & Newton. The renowned 19th-century colourist George Field
established a laboratory to craft the highest-quality Rose Madder. Derived from the Madder Plant, native to Asia and Southern Europe, this pigment is highly prized. Winsor & Newton continues to employ Field's techniques in its production.
SPECIFICATIONS
- Colour Number: 587
- Pigment: NR9
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Moderately Durable
- Series: 4
- Size: 5 ml – 14 ml
Rose Madder Genuine
Rose Madder Genuine is a unique rose pigment produced exclusively by Winsor & Newton. The renowned 19th-century colourist George Field
established a laboratory to craft the highest-quality Rose Madder. Derived from the Madder Plant, native to Asia and Southern Europe, this pigment is highly prized. Winsor & Newton continues to employ Field's techniques in its production.
SPECIFICATIONS
- Colour Number: 587
- Pigment: NR9
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Moderately Durable
- Series: 4
- Size: 5 ml – 14 ml
Scarlet Lake
Scarlet Lake is a vivid red hue with orange-yellow undertones. Its name originates from a fine woollen fabric called scarlet cloth, which was commonly dyed red, giving the pigment its name.
SPECIFICATIONS
- Colour Number: 603
- Pigment: PR188
- Lightfastness: Very Good
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Scarlet Lake
Scarlet Lake is a vivid red hue with orange-yellow undertones. Its name originates from a fine woollen fabric called scarlet cloth, which was commonly dyed red, giving the pigment its name.
SPECIFICATIONS
- Colour Number: 603
- Pigment: PR188
- Lightfastness: Very Good
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Sepia
Sepia is a dark brownish-black colour. Originally derived from the ink sacs of cuttlefish in the 18th century, it is now produced from a combination
of carbon and umber. It is known for its high permanence.
SPECIFICATIONS
- Colour Number: 609
- Pigment: PBk6, PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Sepia
Sepia is a dark brownish-black colour. Originally derived from the ink sacs of cuttlefish in the 18th century, it is now produced from a combination
of carbon and umber. It is known for its high permanence.
SPECIFICATIONS
- Colour Number: 609
- Pigment: PBk6, PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Smalt (Dumont's Blue)
Originally prominent in classical stained glass and pottery, Smalt (Dumont’s Blue) is a legendary colour with a rich history. This vibrant cobalt
resembles a reflective surface, subtle yet imparting a gentle sheen that illuminates skyscapes and adds extra sparkle to still-life compositions.
SPECIFICATIONS
- Colour Number: 710
- Pigment: PV15
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Smalt (Dumont's Blue)
Originally prominent in classical stained glass and pottery, Smalt (Dumont’s Blue) is a legendary colour with a rich history. This vibrant cobalt
resembles a reflective surface, subtle yet imparting a gentle sheen that illuminates skyscapes and adds extra sparkle to still-life compositions.
SPECIFICATIONS
- Colour Number: 710
- Pigment: PV15
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Terre Verte (Yellow Shade)
Terre Verte (Yellow Shade) is a translucent, gentle green with a yellow undertone. It was also called Verona Green, named after the mines near Verona, Italy.
SPECIFICATIONS
- Colour Number: 638
- Pigment: PG23
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Terre Verte (Yellow Shade)
Terre Verte (Yellow Shade) is a translucent, gentle green with a yellow undertone. It was also called Verona Green, named after the mines near Verona, Italy.
SPECIFICATIONS
- Colour Number: 638
- Pigment: PG23
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Terre Verte
Terre Verte is a soft green colour, also known as Verona Green, since it was sourced near Verona, Italy. It is a transparent pigment with low tinting
power, making it perfect for blending flesh tones.
SPECIFICATIONS
- Colour Number: 637
- Pigment: PB28, PG23
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Terre Verte
Terre Verte is a soft green colour, also known as Verona Green, since it was sourced near Verona, Italy. It is a transparent pigment with low tinting
power, making it perfect for blending flesh tones.
SPECIFICATIONS
- Colour Number: 637
- Pigment: PB28, PG23
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Tyrian Purple
A rich, deep purple with a red-blue undertone, serving as an excellent alternative to the Murex Sea snail version.
SPECIFICATIONS
- Colour Number: 419
- Pigment: PR202, PV37
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Moderately Durable
- Series: 2
- Size: 5 ml – 14 ml
Tyrian Purple
A rich, deep purple with a red-blue undertone, serving as an excellent alternative to the Murex Sea snail version.
SPECIFICATIONS
- Colour Number: 419
- Pigment: PR202, PV37
- Lightfastness: N/A
- Opacity: Transparent
- Permanence: Moderately Durable
- Series: 2
- Size: 5 ml – 14 ml
Titanium White (Opaque White)
Titanium White is a pure white pigment known for its high opacity and is regarded as a standard, vibrant white colour.
SPECIFICATIONS
- Colour Number: 644
- Pigment: PW6
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Titanium White (Opaque White)
Titanium White is a pure white pigment known for its high opacity and is regarded as a standard, vibrant white colour.
SPECIFICATIONS
- Colour Number: 644
- Pigment: PW6
- Lightfastness: Excellent
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Transparent Gold Deep / Quinacridone Gold
Transparent Gold Deep is a dark, warm yellow hue. It is highly transparent and blends well with other pigments. Please be aware that, due to a
recent pigment update, two different product formulations may be available. PR179 has replaced PR206. Consequently, the name has changed from Quinacridone Gold to Transparent Gold Deep, although the two shades are nearly identical.
SPECIFICATIONS
- Colour Number: 547
- Pigment: PR179, PV19, PY150
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Transparent Gold Deep / Quinacridone Gold
Transparent Gold Deep is a dark, warm yellow hue. It is highly transparent and blends well with other pigments. Please be aware that, due to a
recent pigment update, two different product formulations may be available. PR179 has replaced PR206. Consequently, the name has changed from Quinacridone Gold to Transparent Gold Deep, although the two shades are nearly identical.
SPECIFICATIONS
- Colour Number: 547
- Pigment: PR179, PV19, PY150
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Transparent Orange
A vibrant, bold, and lively orange that shifts smoothly between a primary hue and an earth tone.
SPECIFICATIONS
- Colour Number: 650
- Pigment: DPP
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Transparent Orange
A vibrant, bold, and lively orange that shifts smoothly between a primary hue and an earth tone.
SPECIFICATIONS
- Colour Number: 650
- Pigment: DPP
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Transparent Yellow
Transparent Yellow is a vivid, clean yellow hue. As a transparent colour, it offers strong tinting capabilities.
SPECIFICATIONS
- Colour Number: 653
- Pigment: PY150
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Transparent Yellow
Transparent Yellow is a vivid, clean yellow hue. As a transparent colour, it offers strong tinting capabilities.
SPECIFICATIONS
- Colour Number: 653
- Pigment: PY150
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Turner's Yellow
Turner's Yellow is an opaque, rich yellow hue. It is a blended pigment that closely resembles the toxic genuine Gamboge and King's Yellow, colours Turner often used.
SPECIFICATIONS
- Colour Number: 649
- Pigment: PY216
- Lightfastness: N/A
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Turner's Yellow
Turner's Yellow is an opaque, rich yellow hue. It is a blended pigment that closely resembles the toxic genuine Gamboge and King's Yellow, colours Turner often used.
SPECIFICATIONS
- Colour Number: 649
- Pigment: PY216
- Lightfastness: N/A
- Opacity: Opaque
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Ultramarine Ash
A beautiful, transparent, soft grey-blue with granulation, offering a wide range of tinting and toning possibilities.
SPECIFICATIONS
- Colour Number: 424
- Pigment: PB29, PG23
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Ultramarine Ash
A beautiful, transparent, soft grey-blue with granulation, offering a wide range of tinting and toning possibilities.
SPECIFICATIONS
- Colour Number: 424
- Pigment: PB29, PG23
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Permanent
- Series: 3
- Size: 5 ml – 14 ml
Ultramarine (Green Shade)
Ultramarine (Green Shade) is a vibrant, deep, transparent blue with green undertones, in contrast to the red undertones of French Ultramarine. French chemist Guimet invented synthetic Ultramarine in 1828.
SPECIFICATIONS
- Colour Number: 667
- Pigment: PB29
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Ultramarine (Green Shade)
Ultramarine (Green Shade) is a vibrant, deep, transparent blue with green undertones, in contrast to the red undertones of French Ultramarine. French chemist Guimet invented synthetic Ultramarine in 1828.
SPECIFICATIONS
- Colour Number: 667
- Pigment: PB29
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Ultramarine Violet
Ultramarine Violet is a deep purple hue. It originates from French Ultramarine, a synthetic pigment developed in 1828 by French chemist Guimet as a substitute for authentic Ultramarine.
SPECIFICATIONS
- Colour Number: 672
- Pigment: PV15
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/Staining: Granulation
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Ultramarine Violet
Ultramarine Violet is a deep purple hue. It originates from French Ultramarine, a synthetic pigment developed in 1828 by French chemist Guimet as a substitute for authentic Ultramarine.
SPECIFICATIONS
- Colour Number: 672
- Pigment: PV15
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/Staining: Granulation
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Vandyke Brown
Vandyke Brown is a brown pigment named after the Flemish painter Van Dyke, who used it in many of his paintings. It is an earth pigment that is commonly used for shading.
SPECIFICATIONS
- Colour Number: 676
- Pigment: PBk6, PR101
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Vandyke Brown
Vandyke Brown is a brown pigment named after the Flemish painter Van Dyke, who used it in many of his paintings. It is an earth pigment that is commonly used for shading.
SPECIFICATIONS
- Colour Number: 676
- Pigment: PBk6, PR101
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Venetian Red
Venetian Red is a deep, opaque red hue. It is an earth pigment named after the quarry near Venice, where the painter Titian obtained his earth reds.
SPECIFICATIONS
- Colour Number: 678
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Venetian Red
Venetian Red is a deep, opaque red hue. It is an earth pigment named after the quarry near Venice, where the painter Titian obtained his earth reds.
SPECIFICATIONS
- Colour Number: 678
- Pigment: PR101
- Lightfastness: Excellent
- Opacity: Opaque
- Granulation/staining: Staining
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Viridian
Viridian is a transparent emerald green hue. Its name derives from the Latin word for green, 'viridis'. It was first created in Paris by a colourist
Binet in 1838 as a safer alternative to the toxic Emerald Green.
SPECIFICATIONS
- Colour Number: 692
- Pigment: PG18
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Viridian
Viridian is a transparent emerald green hue. Its name derives from the Latin word for green, 'viridis'. It was first created in Paris by a colourist
Binet in 1838 as a safer alternative to the toxic Emerald Green.
SPECIFICATIONS
- Colour Number: 692
- Pigment: PG18
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 3
- Size: 5 ml – 14 ml
Viridian Hue
Viridian Hue is a transparent emerald green shade. Its name derives from the Latin word for 'green, 'viridis, and it closely resembles authentic
Viridian.
SPECIFICATIONS
- Colour Number: 696
- Pigment: PG7, PY42, PY43
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Viridian Hue
Viridian Hue is a transparent emerald green shade. Its name derives from the Latin word for 'green, 'viridis, and it closely resembles authentic
Viridian.
SPECIFICATIONS
- Colour Number: 696
- Pigment: PG7, PY42, PY43
- Lightfastness: Excellent
- Opacity: Transparent
- Permanence: Permanent
- Series: 2
- Size: 5 ml – 14 ml
Winsor Blue (Green Shade)
Winsor Blue (Green Shade) is a rich, intense blue with a subtle green undertone. It is based on the modern pigment Phthalocyanine, which was introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 707
- Pigment: PB15
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Blue (Green Shade)
Winsor Blue (Green Shade) is a rich, intense blue with a subtle green undertone. It is based on the modern pigment Phthalocyanine, which was introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 707
- Pigment: PB15
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Blue (Red Shade)
Winsor Blue (Red Shade) is a rich, intense blue with a reddish undertone. It is created from the modern pigment Phthalocyanine, which was
introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 709
- Pigment: PB15
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Blue (Red Shade)
Winsor Blue (Red Shade) is a rich, intense blue with a reddish undertone. It is created from the modern pigment Phthalocyanine, which was
introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 709
- Pigment: PB15
- Lightfastness: Very Good
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Green (Blue Shade)
Winsor Green (Blue Shade) is a vibrant, transparent green pigment with a bluish undertone. It is derived from the modern pigment Phthalocyanine, which was first introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 719
- Pigment: PG7
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Green (Blue Shade)
Winsor Green (Blue Shade) is a vibrant, transparent green pigment with a bluish undertone. It is derived from the modern pigment Phthalocyanine, which was first introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 719
- Pigment: PG7
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Green (Yellow shade)
Winsor Green (Yellow Shade) is a vibrant, transparent green pigment with a yellow undertone. It is made from the modern pigment Phthalocyanine, introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 721
- Pigment: PG36
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Green (Yellow shade)
Winsor Green (Yellow Shade) is a vibrant, transparent green pigment with a yellow undertone. It is made from the modern pigment Phthalocyanine, introduced in the 1930s.
SPECIFICATIONS
- Colour Number: 721
- Pigment: PG36
- Lightfastness: Excellent
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Lemon
Winsor Lemon is a clear, bright yellow with strong tinting capabilities. It is a type of Hansa pigment discovered in Germany in the early 1900s.
SPECIFICATIONS
- Colour Number: 722
- Pigment: PY175
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 1
- Size:5 ml – 14 ml
Winsor Lemon
Winsor Lemon is a clear, bright yellow with strong tinting capabilities. It is a type of Hansa pigment discovered in Germany in the early 1900s.
SPECIFICATIONS
- Colour Number: 722
- Pigment: PY175
- Lightfastness: N/A
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 1
- Size:5 ml – 14 ml
Winsor Orange (Red Shade)
Winsor Orange (Red Shade) is a vivid, warm orange pigment with a clean and strong hue. It is a staining, semi-opaque watercolour and is classified as a pyrrole pigment.
SPECIFICATIONS
- Colour Number: 723
- Pigment: PO73
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Orange (Red Shade)
Winsor Orange (Red Shade) is a vivid, warm orange pigment with a clean and strong hue. It is a staining, semi-opaque watercolour and is classified as a pyrrole pigment.
SPECIFICATIONS
- Colour Number: 723
- Pigment: PO73
- Lightfastness: N/A
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Orange
Winsor Orange is a semi-opaque pigment with excellent mixing qualities, and it comes in a single colour.
SPECIFICATIONS
- Colour Number: 724
- Pigment: PO62
- Lightfastness: Very Good
- Opacity: Semi-Opaque
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Orange
Winsor Orange is a semi-opaque pigment with excellent mixing qualities, and it comes in a single colour.
SPECIFICATIONS
- Colour Number: 724
- Pigment: PO62
- Lightfastness: Very Good
- Opacity: Semi-Opaque
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Red
Winsor Red is a warm, mid-range red with orange undertones. It is a permanent and lightfast colour.
SPECIFICATIONS
- Colour Number: 726
- Pigment: PR254
- Lightfastness:
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Red
Winsor Red is a warm, mid-range red with orange undertones. It is a permanent and lightfast colour.
SPECIFICATIONS
- Colour Number: 726
- Pigment: PR254
- Lightfastness:
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Red Deep
Winsor Red is a rich crimson hue. It is a durable and lightfast pigment.
SPECIFICATIONS
- Colour Number: 725
- Pigment: PR264
- Lightfastness:
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Red Deep
Winsor Red is a rich crimson hue. It is a durable and lightfast pigment.
SPECIFICATIONS
- Colour Number: 725
- Pigment: PR264
- Lightfastness:
- Opacity: Semi-Opaque
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Violet (Dioxazine)
Winsor Violet (Dioxazine) is a vibrant mid-tone purple pigment. When used undiluted, it can produce a deep black. This transparent coal tar pigment was added to the Winsor & Newton collection in the 1960s.
SPECIFICATIONS
- Colour Number: 733
- Pigment: PV23
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Violet (Dioxazine)
Winsor Violet (Dioxazine) is a vibrant mid-tone purple pigment. When used undiluted, it can produce a deep black. This transparent coal tar pigment was added to the Winsor & Newton collection in the 1960s.
SPECIFICATIONS
- Colour Number: 733
- Pigment: PV23
- Lightfastness: N/A
- Opacity: Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Yellow
Winsor Yellow is a warm yellow pigment belonging to the Yellow Hansa group of modern pigments, first developed by the German Hoechst company in the early 1900s. It has a semi-transparent appearance.
SPECIFICATIONS
- Colour Number: 730
- Pigment: PY154
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 1
- Size: 5 ml – 14 ml
Winsor Yellow
Winsor Yellow is a warm yellow pigment belonging to the Yellow Hansa group of modern pigments, first developed by the German Hoechst company in the early 1900s. It has a semi-transparent appearance.
SPECIFICATIONS
- Colour Number: 730
- Pigment: PY154
- Lightfastness: Excellent
- Opacity: Semi-Transparent
- Granulation/staining: Staining
- Permanence: Permanent
- ACMI certifies this as an Approved Product
- Series: 1
- Size: 5 ml – 14 ml
Winsor Yellow Deep
Winsor Yellow is a vivid, bright yellow pigment belonging to the Yellow Hansa group of modern pigments, first developed by the German Hoechst company in the early 1900s.
SPECIFICATIONS
- Colour Number: 731
- Pigment: PY65
- Lightfastness: Very Good
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor Yellow Deep
Winsor Yellow is a vivid, bright yellow pigment belonging to the Yellow Hansa group of modern pigments, first developed by the German Hoechst company in the early 1900s.
SPECIFICATIONS
- Colour Number: 731
- Pigment: PY65
- Lightfastness: Very Good
- Opacity: Semi-Transparent
- Permanence: Permanent
- Series: 1
- Size: 5 ml – 14 ml
Yellow Ochre
Yellow Ochre is a warm yellow hue, originally derived from natural iron oxides present in the earth. It is among the oldest pigments used by humans. A synthetic variant was introduced in the 1920s.
SPECIFICATIONS
- Colour Number: 744
- Pigment: PY43
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Yellow Ochre
Yellow Ochre is a warm yellow hue, originally derived from natural iron oxides present in the earth. It is among the oldest pigments used by humans. A synthetic variant was introduced in the 1920s.
SPECIFICATIONS
- Colour Number: 744
- Pigment: PY43
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Yellow Ochre Light
Yellow Ochre Light is a soft, warm yellow hue. It was initially produced from natural iron oxides present in the earth and is among the oldest pigments used by humans.
SPECIFICATIONS
- Colour Number: 745
- Pigment: PY43
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Yellow Ochre Light
Yellow Ochre Light is a soft, warm yellow hue. It was initially produced from natural iron oxides present in the earth and is among the oldest pigments used by humans.
SPECIFICATIONS
- Colour Number: 745
- Pigment: PY43
- Lightfastness: Excellent
- Opacity: Semi-Opaque
- Granulation/staining: Granulation
- Permanence: Extremely Permanent
- Series: 1
- Size: 5 ml – 14 ml
Winsor and Newton Professional Watercolour - Alizarin Crimson 5ml is backordered and will ship as soon as it is back in stock.
Pickup available at King's Framing & Art Gallery
Usually ready in 24 hours
Fundamental Versatility of Liquitex Acrylic Ink
Fundamental Versatility of Liquitex Acrylic Ink
This is a detailed analysis of the primary advantages of Liquitex Acrylic Ink, crafted to be concise and easy to understand.
Liquitex
Acrylic Ink: The Ultimate Fluid Art Medium
Liquitex Acrylic Ink stands out as a top
choice for artists seeking a highly versatile, professional-grade liquid colour.
It combines the best qualities of traditional inks and acrylic paints, offering
numerous advantages:
- Archival & Lightfast: Made
with fine art pigments, not dyes. Your artwork won't fade over time,
ensuring your creations last for generations. - Waterproof When Dry: Once
dry, it's completely permanent and water-resistant. This allows for
effortless layering without disturbing previous washes, preventing muddy colours. - Ultra-Fluid, Zero Clog: Its
low viscosity means it flows smoothly without needing to be thinned.
Perfect for delicate work in airbrushes, technical pens, dip pens, and for
precise pouring. - High Pigment Concentration:
Delivers vibrant, intense colours even when diluted. A little goes a long
way. - Versatile Application: Can
be used with brushes, airbrushes, dip pens, and technical pens for
pouring, staining, or even directly from the dropper. - Intermixable: Fully
compatible with all other Liquitex acrylic products (paints, mediums,
gels), allowing for endless creative possibilities in mixed media. - Fast-Drying: Speeds
up your workflow, allowing you to build layers and move through your
process more quickly than with traditional watercolours or oils. - Transparent to Opaque: Can
be used in thin, translucent washes for watercolour-like effects, or built
up for rich, opaque coverage.
In short, Liquitex Acrylic Ink offers artists:
- Durability:
Artwork that won't degrade. - Flexibility: Works
with almost any tool or technique. - Brilliance: Rich,
pure colours that pop.
It's an indispensable tool for illustrators,
calligraphers, mixed-media artists, and anyone looking to add vibrant,
permanent liquid colour to their work.
Delivery and Shipping
Delivery and Shipping
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Winsor and Newton Professional Watercolour
Colour: Alizarin Crimson 5ml
-
King's Framing & Art Gallery
Pickup available, usually ready in 24 hours
188 Voyer Rd.
17057524211
Corbeil ON P0H 1K0
Canada
Winsor and Newton Professional Watercolour
Description
Description
The Professional Watercolour range features 116 colours, delivering bright, vibrant hues and exceptional performance. Watercolour, more than any other medium, captures the unique qualities of its pigments. Winsor & Newton uses only premium pigments, known for their brilliance, permanence, and vividness, and offers a broad selection of single-pigment colours.
With 85 of these being single-pigment, they offer the widest range of modern and traditional pigments for clear, precise colour mixing. The watercolours achieve unsurpassed transparency through a special pigment dispersion process during manufacturing.
The inherent transparency of each pigment determines the paint’s clarity, especially in thin washes that let the white paper show through.
Regarding permanence, 112 of our 116 colours are rated as "permanent for artists' use,” with AA or A ratings for archival quality, ensuring consistent appearance for future generations.
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