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M Graham Oil Paint Colours
Bismuth Yellow 019
Bismuth Yellow is a colour that brightens your day. This vibrant primary yellow provides a rich, buttery texture when applied and offers
excellent opacity.
- Pigment Composition: Bismuth Vanadium Oxide (PY184)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Hansa Yellow 107
Hansa Yellow is a vivid, primary yellow that is brighter and more transparent than Cadmium Yellow Light, and has a cooler tone compared to
Azo Yellow.
- Pigment Composition: Arylide Yellow (PY 3)
- Lightfast Rating: Very Good - LF II
- Opacity Rating: Semi-Transparent
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: No warnings
Cadmium Yellow Light 070
Cadmium Yellow Light 070 is a vivid, primrose hue of yellow.
- Pigment Composition: Cadmium Zinc Sulphide (PY 35)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cadmium Yellow Light 070
- Cadmium Yellow Light 070 is a vivid, primrose hue of yellow.
- Pigment Composition: Cadmium Zinc Sulphide (PY 35)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Azo Yellow 018
Azo Yellow 018 is a vibrant primary yellow hue, exhibiting lower opacity compared to Cadmium Yellow Light, and demonstrating greater lightfastness than Hansa Yellow.
- Pigment Composition: Benzimidazolone Yellow (PY 151), Arylide Yellow (PY 74)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Azo Yellow 018
Azo Yellow is a vibrant primary yellow that is less opaque than Cadmium Yellow Light and has greater lightfastness than Hansa Yellow.
- Pigment Composition: Benzimidazolone Yellow (PY 151), Arylide Yellow (PY 74)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Hansa Yellow Deep 106
Hansa Yellow Deep is characterized as a warm, sunny, semi-transparent yellow hue distinguished by a bright, clean tint. It is an ideal secondary mixing colour for any professional artist’s palette.
- Pigment Composition: Benzimidazolone (PY 74)
- Lightfast Rating: Very Good - LF II
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cadmium Yellow 060
Cadmium Yellow 060 is a vivid, warm, and bright sunny yellow.
- Pigment Composition: Cadmium Zinc Sulphide (PY 35)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cadmium Yellow 060
Cadmium Yellow 060 is a vibrant, warm, sunny yellow.
- Pigment Composition: Cadmium Zinc Sulphide (PY 35)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Cadmium Yellow Deep 063
Cadmium Yellow Deep 063 is a luminous, warm yellow hue characterized by a subtle red undertone.
- Pigment Composition: Pure Cadmium Zinc Sulphide (PY 35), Pure Cadmium Seleno-Sulphide (PO 20)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Indian Yellow 109
Indian Yellow 109 is a transparent, lightfast orange-yellow glaze with a warm yellow undertone.
- Pigment Composition: Isoindolinone Yellow (PY 110)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Azo Orange 017
Azo Orange is a vibrant, warm orange created with a modern, high-quality pigment. It provides a luminous, deep mass tone combined with a
bright tint.
- Pigment Composition: Benzimidazolone Orange (PO 62)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cadmium Orange 038
Cadmium Orange 038 is an opaque and vibrant shade of orange, reminiscent of 'DayGlo' hues.
- Pigment Composition: Cadmium Seleno-Sulphide (PO 20)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Scarlet Pyrrol 176
Scarlet Pyrrol is a bright, fiery orange characterized by exceptional strength. It exhibits versatility in mixing applications and functions effectively as a glaze. Its overall hue closely resembles the historic orange vermilion observed in 19th-century landscapes.
- Pigment Composition: Diketo Pyrrolopyrrol (PO 73)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Azo Coral 015
Azo Coral is a semi-transparent orange glaze, exhibiting a vibrant, red-leaning mass tone complemented by an attractive orange undertone.
- Pigment Composition: Benzimidazolone Orange (PO 62), Diketo Pyrrollopyrrol (PR254)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cadmium Red Light 050
Cadmium Red Light 050 is an intense light, middle tone of red characterized by a warmer undertone in comparison to Cadmium Red.
- Pigment Composition: Cadmium Seleno-Sulphide (PR 108)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cadmium Red Light 050
Cadmium Red Light is a vibrant Vermillion hue of red that has a warmer undertone compared to Cadmium Red.
- Pigment Composition: Cadmium Seleno-Sulphide (PR 108)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Naphthol Red 120
Primarily a red hue akin to Cadmium Red Light in masstone, complemented by a pure and vigorous tint. Ideal for artworks with high-key compositions.
- Pigment Composition: Naphthol AS-D (PR 112)
- Lightfast Rating: Very Good - LF II
- Opacity Rating: Semi Opaque
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: No warnings
Naphthol Red 120
Naphthol Red is a primary red, similar to Cadmium Red Light in its pure form, offering a clean, vibrant tint. It is ideal for creating high-key
paintings.
- Pigment Composition: Naphthol AS-D (PR 112)
- Lightfast Rating: Very Good - LF II
- Opacity Rating: Semi Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Cadmium Red 040
Cadmium Red 040 is characterized as a deep, medium-value red hue featuring a cool undertone.
- Pigment Composition: Cadmium Seleno-Sulphide (PR 108)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cadmium Red 040
Cadmium Red is a vibrant, mid-toned red characterized by a cool undertone.
- Pigment Composition: Cadmium Seleno-Sulphide (PR 108)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Pyrrol Red 154
Pyrrol Red is a bright primary red pigment known for its strong tinting strength. It also has excellent lightfastness, making it a highly durable pigment.
- Pigment Composition: Diketo Pyrrolopyrrol (PR 254)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Cadmium Red Deep 045
Cadmium Red Deep 045 is a rich purple-red hue of cadmium, deep in masstone, with a very cool undertone.
- Pigment Composition: Cadmium Seleno-Sulphide (PR 108)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Quinacridone Rose 156
Quinacridone Rose 156 is a bluish-red mass tone
characterized by a distinctive, high-key blue tint.
- Pigment Composition: Quinacridone Violet (PV 19)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Anthraquinone Red 014
Anthraquinone Red 014 is characterized by a rich, profound madder hue, complemented by vibrant, clean, pure tints. This transparent red
provides a lightfast alternative to Alizarin.
- Pigment Composition: Anthraquinone Red (PR 177)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Alizarin Crimson 010
Alizarin Crimson 010 is a distinctive, deep red Cabernet mass tone with a hint of warmth and a lively, cool undertone.
- Pigment Composition: Benzimidazolone Red (PR 176), Synthetic Iron Oxide (PR 101)
- Lightfast Rating: Acceptable - LF III
- Opacity Rating: Transparent
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Alizarin Crimson 010
Alizarin Crimson is a distinctive, deep red characterized by a subtle warm undertone and a vivid cool undertone.
- Pigment Composition: Benzimidazolone Red (PR 176), Synthetic Iron Oxide (PR 101)
- Lightfast Rating: Acceptable - LF III
- Opacity Rating: Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Maroon Perylene 113
Maroon Perylene is a deep, warm, and earthy transparent red. Its fiery undertones in glazes add depth, resulting in a robust mass tone. It
pairs well to soften the intensity of any green.
- Pigment Composition: Perylene (PR 179)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Quinacridone Violet 158
Quinacridone Violet 158 is the coolest Quinacridone, exhibiting a predominantly purple hue with traces of red, yet it is redder than Dioxazine Purple. It is an exquisite violet glazing colour characterized by very pure tints.
- Pigment Composition: Quinacridone Violet (PV 19)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Mineral Violet 116
Mineral Violet is a soft, reddish, semi-transparent violet hue. When applied independently, it yields a distinctive mauve in glazes; when combined with other colours, it generates rich, muted mixtures.
- Pigment Composition: Manganese Ammonium Pyrophosphate (PV 16), Silicate of Sodium & Aluminum with Sulphur (PV 15)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Ultramarine Purple 192
Ultramarine Purple is a rich, traditional shade of deep violet with red undertones, offering good transparency and excellent lightfastness. It produces soft grey violets.
- Pigment Composition: Silicate of Sodium & Aluminum with Sulphur (PV 15)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Dioxazine Purple 100
Dioxazine Purple 100 displays a rich purple mass tone highlighted by a vibrant blue-violet hue, giving it a bluer appearance compared to Quinacridone Violet.
- Pigment Composition: Carbazole Dioxazine (PV 23)
- Lightfast Rating: Very Good - LF II
- Opacity Rating: Transparent
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Dioxazine Purple 100
Dioxazine Purple features a dark purple mass tone accented with a bright, blue-violet hue. It appears bluer than Quinacridone Violet.
- Pigment Composition: Carbazole Dioxazine (PV 23)
- Lightfast Rating: Very Good - LF II
- Opacity Rating: Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Ultramarine Violet 193
Chromatically subtle violet glaze with prominent blue undertones. Produces exquisite cool grays.
- Pigment Composition: Complex Silicate of Sodium & Aluminum with Sulphur (PV 15)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Anthraquinone Blue 012
Anthraquinone Blue 012 is a primary blue with a reddish hue and smoky depth. Perfect for glazes and unique colour blends.
- Pigment Composition: Anthraquinone Blue (PB 60)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Ultramarine Blue 190
Ultramarine Blue 190 is a shade of red Ultramarine characterized by depth and intensity. It serves as an authentic substitute for the original lapis pigment. It is excellent when used independently or combined with Anthraquinone Red to produce violets.
- Pigment Composition - Complex Silicate of Sodium & Aluminum with Sulphur (PB 29)
- Lightfast Rating - Excellent - LF I
- Opacity Rating – Transparent
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Ultramarine Blue 190
Ultramarine Blue 190 is a red-toned Ultramarine that offers depth and intensity, serving as a true substitute for the classic lapis pigment.
- Pigment Composition: Complex Silicate of Sodium & Aluminum with Sulphur (PB 29)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Cobalt Blue 090
Cobalt Blue 090 is a vivid, pure primary blue distinguished by exceptional handling properties.
- Pigment Composition: Oxides of Cobalt and Aluminum (PB 28)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cobalt Blue 090
Cobalt Blue 090 is a vivid, pure primary blue distinguished by exceptional handling properties.
- Pigment Composition: Oxides of Cobalt and Aluminum (PB 28)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cerulean Blue 080
Cerulean Blue 080 is characterized by a deep, mid-tone blue hue with a discernible red undertone, demonstrating excellent resistance to
yellowing.
- Pigment Composition: Oxides of Cobalt and Chromium (PB 36)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Manganese Blue Hue 114
Manganese Blue Hue 114 represents a high-key, cool blue shade that closely replicates the original pigment, which is no longer available.
- Pigment Composition: Copper Phthalocyanine (PB 15:3), Zinc Oxide (PW4), and Titanium Dioxide (PW 6)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Phthalocyanine Blue Red Shade 141
Phthalocyanine Blue Red Shade provides a rich and vibrant mass tone. Upon application with a brush, it exhibits a clean, transparent red undertone. It is an ideal glazing blue, distinguished by its exceptional tinting strength.
- Pigment Composition: Copper Phthalocyanine (PB 15:0)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Phthalocyanine Blue 140
Phthalocyanine Blue 140 is a vivid shade of blue
characterized by a striking green undertone, exhibiting vibrant and intense high tinting strength.
- Pigment Composition: Copper Phthalocyanine (PB 15:3)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: No warnings
Phthalocyanine Blue 140
Phthalocyanine Blue 140 is a bright, vivid green hue of Phthalocyanine Blue, known for its vibrancy and high tinting strength.
- Pigment Composition: Copper Phthalocyanine (PB 15:3)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Prussian Blue 153
Prussian Blue 153 is a conventional iron-based pigment characterized by high tinting strength. It is more subtle than Phthalocyanine Blue and serves as an excellent glazing colour.
- Pigment Composition: Ferri ammonium Ferrocyanide (PB 27)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Fast
- Size: 1.25 oz
- Proposition 65: No warnings
Cobalt Teal 097
Cobalt Teal is a bright, intense blue-green hue that appears lively and vivid on its own, but can also be softened and muted when mixed with
Scarlet Pyrrol to create a range of greys.
- Pigment Composition: Cobalt Aluminate (PB 28)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Cobalt Turquoise 098
Cobalt Turquoise is characterized as an opaque, soft, and richly earthy hue. It is ideally suited for enhancing and enriching other cobalt shades or for pairing with Burnt Sienna to create intricate mixtures.
- Pigment Composition: Chromium Cobalt Aluminum Oxide (PB 36)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time – Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Turquoise 189
Phthalocyanine Green 150 is characterized by a vivid and intense green colouration, distinguished by a pronounced blue hue and high
transparency.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Phthalocyanine Green 150
Phthalocyanine Green 150 is a vibrant green with a bluish hue, renowned for its exceptional intensity and transparency.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time – Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Phthalocyanine Green 150
Phthalocyanine Green 150 exhibits a robust blue hue characterized by exceptional intensity and transparency.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Viridian 195
Viridian 195 is a transparent emerald green glaze,
characterized by its subtlety compared to Phthalocyanine Green and high transparency. It is an effective option for tempering the chromatic vibrancy of Quinacridones.
- Pigment Composition: Hydrous Chromium Sesquioxide (PG 18)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Fast
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Emerald Green 103
Emerald Green is an attractive, vibrant hue from the 19th century that is highly esteemed in Impressionist artworks. It represents an excellent addition to any plein-air palette.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7), Arylide Yellow (PY 3), Titanium Dioxide (PW 6)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Phthalocyanine Green Yellow Shade 151
An emerald shade of Phthalocyanine featuring an
exceptionally dark mass tone and luminous yellow undertones, complemented by a radiant green glaze.
- Pigment Composition: Brominated Copper Phthalocyanine (PG 36)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Cobalt Green 095
Cobalt Green 095 is a rich, subtle, and opaque hue with a hint of yellow. This Cobalt Green constitutes an exquisite shade of green suitable for any artist's palette.
- Pigment Composition: Cobalt Titanate Green Spinel (PG 50)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Permanent Green Light 130
Permanent Green Light 130 is a vibrant emerald green characterized by a warmer tone compared to Viridian.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7), Benzimidazolone Yellow (PY 151)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Permanent Green Light 130
Permanent Green Light 130 is a vibrant emerald green characterized by a warmer tone compared to Viridian.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7), Benzimidazolone Yellow (PY 151)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Permanent Green Pale 131
Permanent Green Pale is a vibrant lime green shade distinguished by a prominent yellow-green undertone. It presents as light and invigorating, evoking the essence of spring.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7), Arylide Yellow (PY 3)
- Lightfast Rating: Very Good - LF II
- Opacity Rating: Semi Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Chromium Oxide Green 086
Chromium Oxide Green is a subtle, highly opaque, pure earth green with strong tinting strength. When combined with earthy reds, this
distinctive green yields soft, muted greys.
- Pigment Composition: Chromium (111), Oxide (PG 17)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Green Earth 104
Green Earth is a quintessential transparent green
characterized by an almost black density and subtle, warm undertones. Its tints are understated.
- Pigment Composition: Calcined Natural Iron Oxide containing Manganese (PBr 7), Chlorinated Copper Phthalocyanine (PG 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Fast
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Sap Green (Permanent) 174
Sap Green (Permanent) 174 is a pigment characterized by its lightfast properties, presenting as a dark green with a yellow glaze tone and a fluorescent lime green tint. It serves as an excellent substitute for the original unripe buckthorn berry lake.
- Pigment Composition: Chlorinated Copper Phthalocyanine (PG 7), Azomethine Copper Complex (PY 129), Isoindolinone (PY 110), Nearly Pure Amorphous Carbon (PBk 9)
- Lightfast Rating: Excellent – LF
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Olive Green 125
Olive Green 125 is a muted, earthy green glaze colour, ideal for diminishing the chromatic intensity of red glazes such as Quinacridones.
- Pigment Composition: Azomethine Complex (PY 129), Isoindololinone Yellow (PY 110), Amorphous Carbon (PBk 9)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Azo Green 016
Azo Green 016 features two colours within a single formulation: a subdued, murky green mass tone complemented by a vivid, transparent yellow glaze.
- Pigment Composition: Azomethine Copper Complex (PY 129)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Fast
- Size: 1.25 oz
- Proposition 65: No warnings
Naples Yellow 121
Naples Yellow 121 is a soft, warm pale yellow reminiscent of the yellows used in 17th- and 18th-century paintings.
- Pigment Composition: Natural Iron Oxide (PBr 7), Arylide (PY 74), Titanium Dioxide (PW 6), Zinc Oxide (PW 4), Benzimidazolone Orange (PO 62)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Chrome Tin Yellow 087
Rich and golden, Chrome Tin Yellow exhibits significant opacity. It bears a close resemblance to piment and can be most accurately characterized as pure Caravaggio. The hue remains vibrant even when substantially diluted with white.
- Pigment Composition: Chrome Antimony Titanium Buff Rutile (PBr 24)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Nickel Azo Yellow 123
Nickel Azo Yellow features a warm, deep yellow mass tone with a lively yellow undertone. It appears translucent in thicker layers and highly transparent when used in glazes. When mixed with white, it produces a bright, sunny, glowing yellow.
- Pigment Composition: Nickel Azo Complex (PY 150)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Yellow Ochre 200
Opaque, vibrant yellow with an earthy tone and a subdued hue. Ideal for producing muted yellows, particularly when used with Cadmium Yellow.
- Pigment Composition: Synthetic Iron Oxide (PY 42)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Yellow Ochre 200
Yellow Ochre is an opaque, vibrant, earthy yellow with a subdued hue. It is particularly suitable for producing muted yellows, especially when combined with Cadmium Yellow.
- Pigment Composition: Synthetic Iron Oxide (PY 42)
- Lightfast Rating: Excellent: LF I
- Opacity Rating: Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Raw Sienna 160
Subtle and subdued, this rich, earthen yellow, accented with a hint of orange, exhibits greater opacity compared to Transparent Yellow Iron Oxide.
- Pigment Composition: Natural Iron Oxide (PBr 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Raw Sienna 160
Raw Sienna is a rich, earthen yellow with a subtle, subdued tone and a hint of orange. More opaque than Transparent Yellow Iron Oxide.
- Pigment Composition: Natural Iron Oxide (PBr 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Transparent Yellow Iron Oxide 188
More transparent than Raw Sienna, featuring a golden yellow undertone. An authentic glazing yellow characterized by subtle chroma.
- Pigment Composition: Synthetic Iron Oxide (PY 42)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Fast
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Nickel Quinacridone Gold 124
Nickel Quinacridone Gold features a red hue accented by a golden russet glaze. It has a rich, muted mass tone combined with a lively, fiery golden undertone.
- Pigment Composition: Quinacridone Orange (PO 48), Nickel Azo Complex (PY 150)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Transparent Orange Iron Oxide 186
A modern and entirely transparent rendition of Burnt. Sienna has a higher gloss, greater clarity and ease of handling—a perfect 17th-century
glazing colour.
- Pigment Composition: Synthetic Iron Oxide (PY 42), (PR 101)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Fast
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Quinacridone Rust 157
Quinacridone Rust features a rich, deep mahogany top tone blended with a golden-red, earthy undertone. It is a versatile glazing colour,
known for its vividness and depth, offering intense, resonant hues.
- Pigment Composition: Quinacridone Orange (PO 48)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Transparent Red Iron Oxide 187
Deep mahogany mass tone featuring an impressive potential for a fiery red glaze. Its soft, creamy texture allows for easy brushing, and
once dry, it forms a smooth, glass-like surface.
- Pigment Composition: Synthetic Iron Oxide (PR 101)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Transparent
- Drying Time: Fast
- Size: 1.25 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Burnt Sienna 020
Burnt Sienna 020 is a warm hue of Sienna characterized by a subtle orange undertone.
- Pigment Composition: Calcined Natural Iron Oxide (PBr 7*)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Burnt Sienna 020
Burnt Sienna 020 represents a warm hue of Sienna characterized by a subtle orange undertone.
- Pigment Composition: Calcined Natural Iron Oxide (PBr 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Terra Rosa 179
Terra Rosa 179 is a vibrant earth red characterized by a cool hue that complements the warmth of Burnt Sienna. It possesses superior tinting strength and opacity.
- Pigment Composition: Synthetic Iron Oxide (PR 101)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Slow
- Size: 1.25 oz
- Proposition 65: No warnings
Burnt Umber 030
Burnt Umber 030 is a warm, earthy brown featuring a subtle yellow undertone.
- Pigment Composition: Calcined Natural Iron Oxide containing Manganese (PBr 7*)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Burnt Umber 030
Burnt Umber 030 is a warm, earthy brown characterized by a subtle hint of yellow.
- Pigment Composition: Calcined Natural Iron Oxide containing Manganese (PBr 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Raw Umber 170
Raw Umber 170 is a rich, dark, and cool earth tone that dries quickly.
- Pigment Composition: Natural Iron Oxide containing Manganese (PBr 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Raw Umber 170
Raw Umber 170 is characterized as a deep, dark, and cool earthy hue. It functions as a very rapid drier.
- Pigment Composition: Natural Iron Oxide containing Manganese (PBr 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Van Dyke Brown 194
Van Dyke Brown 194 represents our most profound black hue, ideally suited for sfumato modelling.
- Pigment Composition: Calcined Natural Iron Oxide & Amorphous Carbon (PBr 7*) (PBk 9)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Ivory Black 110
Ivory Black 110 is a pure, rich black with a warm undertone. It is the preferred black for mixing and producing versatile grays. It is significantly more intense than most Ivory Blacks.
- Pigment Composition: Amorphous Carbon (PBk 9)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Ivory Black 110
Ivory Black 110 is a pure, rich black with a warm undertone. It is the preferred black for mixing and producing versatile grays. It is significantly more intense than most Ivory Blacks.
- Pigment Composition: Amorphous Carbon (PBk 9)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Mars Black 115
Mars Black 115 is a highly opaque black with a neutral hue. While not as deep as Ivory Black, it offers a firm texture when applied and flows well.
- Pigment Composition: Synthetic Iron Oxide (PBk 11)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: No warnings
Mars Black 115
Mars Black 115 is recognized as the most opaque black with a neutral tint. Although it is not as black as Ivory Black, it possesses a consistent feeling when applied with a brush and exhibits good flow.
- Pigment Composition: Synthetic Iron Oxide (PBk 11)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Size: 2 oz - 5 oz
- Proposition 65 ⚠️ Review SDS for applicable
warnings
Chroma Black 075
Chroma Black is an ideal mixing black because of its chromatic neutrality, semi-transparency, and subtle strength. It is particularly effective for toning down greens.
- Pigment Composition: Complex Silicate of Sodium and Aluminum with Sulphur (PB 29), Calcined Natural Iron Oxide (PBr 7)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi-Transparent
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Lamp Black 112
Lamp Black 112 is a very cool tinting carbon black known for its exceptional strength.
- Pigment Composition: Nearly Pure Amorphous Carbon (PBk 6)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Payne’s Gray 128
Payne's Gray 128 is the coolest black within the palette, distinguished by a clear blue undertone and strong tinting strength.
- Pigment Composition: Amorphous Carbon (PBk 9) & Silicates of Sodium and Aluminum with Sulphur (PB 29)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Moderate
- Size: 1.25 oz
- Proposition 65: No warnings
Warm White (Unbleached Titanium) 198
Warm White is a titanium variant manufactured using a process slightly different from that used for traditional white. It comprises a dual-pigment titanium that amalgamates zinc with unbleached titanium. This creamy white hue is particularly suitable for crafting soft-hued blends and pastel like effects.
- Pigment Composition: Titanium Dioxide Rutile (PW 6:1), Zinc Oxide (PW 4)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Warm White (Unbleached Titanium) 198
Warm White is a titanium variant manufactured using a process slightly different from that used for traditional white. It comprises a dual-pigment titanium that amalgamates zinc with unbleached titanium. This creamy white hue is particularly suitable for crafting soft-hued blends and pastel like effects.
- Pigment Composition: Titanium Dioxide Rutile (PW 6:1), Zinc Oxide (PW 4)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Titanium White Sunflower 181
Titanium White Sunflower is marginally warmer and more opaque compared to standard Titanium White. It is a zinc-free white ground formulated in a historic oil medium, offering excellent, luxurious handling properties.
- Pigment Composition: Titanium Dioxide (PW 6)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Titanium White 180
Titanium White 180 is a well-balanced all purpose white that won't cause "chalk" tints. It offers excellent brush feel and retains its colour beautifully.
- Pigment Composition: Titanium Dioxide (PW 6), Zinc Oxide (PW 4)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Moderate
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Titanium White Fast Dry 185
Titanium White Rapid Dry 185 is a quick-drying variant of the standard Titanium White, formulated with Sunflower Oil. It features a buttery consistency and offers enhanced resistance to yellowing.
- Pigment Composition: Titanium Dioxide (PW 6), Zinc Oxide (PW 4)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Titanium White Fast Dry 185
Titanium White Rapid Dry 185 is a quick-drying variant of the standard Titanium White, formulated with Sunflower Oil. It features a buttery consistency and offers enhanced resistance to yellowing.
- Pigment Composition: Titanium Dioxide (PW 6), Zinc Oxide (PW 4)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Opaque
- Drying Time: Fast
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Zinc White 205
Zinc White 205 is a semi-opaque tinting and scumbling white that produces cool hues and exhibits remarkable resistance to yellowing.
- Pigment Composition: Zinc Oxide (PW 4)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
Zinc White 205
Zinc White 205 is a semi-opaque tinting and scumbling white that produces cool hues and exhibits remarkable resistance to yellowing.
- Pigment Composition: Zinc Oxide (PW 4)
- Lightfast Rating: Excellent - LF I
- Opacity Rating: Semi Opaque
- Drying Time: Slow
- Size: 1.25 oz - 5 oz
- Proposition 65: ⚠️ Review SDS for applicable
warnings
M Graham Oil Paint Colours - Bismuth Yellow 019 is backordered and will ship as soon as it is back in stock.
Pickup available at King's Framing & Art Gallery
Usually ready in 24 hours
Delivery and Shipping
Delivery and Shipping
Shipping is complimentary for orders exceeding $100 (in Canada), exclusive of taxes and coupon codes.
The purchase must be prepaid. Orders under $100 are subject to a shipping fee determined by Canada Post based on the location and destination.
Oversized orders may be ineligible for shipping, and shipping costs will be at the customer's expense. Orders placed outside local trading areas may require 3-5 business days for delivery. Exceptions may be applicable.
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M Graham Oil Paint Colours
Colour: Bismuth Yellow 019
-
King's Framing & Art Gallery
Pickup available, usually ready in 24 hours
188 Voyer Rd.
17057524211
Corbeil ON P0H 1K0
Canada
M Graham Oil Paint Colours
Description
Description
In accordance with the tradition established by esteemed masters, M. Graham artists’ oil colours are produced using pure walnut oil, renowned for its brilliance, clarity, texture, and resistance to fading and yellowing. These colours are carefully crafted in small batches, adhering to the principles of Renaissance painting: delicately free-flowing, solvent-free, and free of fillers or additives. Due to the high pigment concentration in M. Graham oil colours, your artwork will be vibrant and lively, exhibiting rich, lustrous hues that endure over many years.
Details: Why Walnut Oil?
M Graham selected the walnut oil medium for their oil paints due to its distinctive refractive index and non-yellowing characteristics, which yield colours that appear more naturally vivid and luminous. Furthermore, walnut oil enhances pigment content across all colours, resulting in exceptional richness, saturation, brilliance, and tinting strength.
Solvent Free
M. Graham's commitment to environmental sustainability also influences the artist. Removing solvents from the workspace encourages artists to use walnut oil for brush cleaning, providing a safe, natural alternative that reduces the risks associated with traditional solvents.
Composition and Permanence
The colour index name is issued by the American Association of Textile Chemists and Colourists and the Society of Dyers and Colourists. It serves as a generic label and does not identify a specific pigment. While it helps artists understand a pigment's general opacity, transparency, and lightfastness within a colour space, it doesn't provide detailed information. Numerous pigment grades are available from various manufacturers, each with distinct physical properties.
Chemical Name
The chemical name is a concise, widely recognized generic designation that describes the pigment's composition. In conjunction with the colour index name, it helps artists gain a clearer understanding of the pigment's origin and nature.
Permanence
The permanence of a colour is a measure of the lightfastness of the pigment when dispersed in a vehicle and subjected to conditions which emulate the exposure usually given a fine arts object. Such ratings are generally considered vehicle- or medium-dependent and can vary across media; pigment that is suitably lightfast for oil colour may not be lightfast in watercolour. Our ratings use a combination of historical data, accelerated testing, and pigment manufacturer data to establish one of the toughest standards among artists' colour makers today.
Transparency and Opacity
Each of our colours is assigned a designation indicating the relative degree of transparency to opacity. Please consider these guidelines, as any thin-film application, while not necessarily transparent, can be perceived as such.
Payment & Security
Payment methods
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